Diane G. Scillia

Bibliography

Scillia, Diane G. 2000. “Stimuli to Invention: New Technologies, New Audiences, New Images.” in The Origins of Life. Book II, edited by Anna-Teresa Tymieniecka, pp. 207–218. Analecta Husserliana n. 67. Dordrecht: Kluwer Academic Publishers.
Scillia, Diane G. 2002. “Blurring the Boundaries between Art and Life: Jan van Eyck’s Ghent Altarpiece (1425–32); Allan Kaprow’s Apple Shrine (1960) and Eat (1964).” in Life – Truth in its Various Perspectives, edited by Anna-Teresa Tymieniecka, pp. 135–150. Analecta Husserliana n. 76. Dordrecht: Kluwer Academic Publishers.
Scillia, Diane G. 2004a. “A World of Art, Politics, Passion and Betrayal:Trotsky, Rivera and Breton and Manifesto: Towards A Free Revolutionary Art (1938).” in Does the World Exist? Plurisignificant Ciphering of Reality, edited by Anna-Teresa Tymieniecka, pp. 447–466. Analecta Husserliana n. 79. Dordrecht: Springer.
Scillia, Diane G. 2004b. “Vincent Van Gogh’s Five Bedrooms at Arles: An Analysis of Creative Copies.” in Imaginatio Creatrix, edited by Anna-Teresa Tymieniecka, pp. 461–476. Analecta Husserliana n. 83. Dordrecht: Springer.
Scillia, Diane G. 2008. “Minimalist Art: ‘Less is More’ or the Paradox of Boredom.” in Beauty’s Appeal. Measure and Excess, edited by Anna-Teresa Tymieniecka, pp. 195–206. Analecta Husserliana n. 97. Dordrecht: Springer.
Scillia, Diane G. 2010. “Reconfiguring Oldenburg and van Bruggen’s Free Stamp (1982–1991).” in Art Inspiring Transmutations of Life, edited by Patricia Trutty-Coohill, pp. 97–108. Analecta Husserliana n. 106. Dordrecht: Springer.